You’ve now come to the end of a long journey, but it’s one that is just beginning. At this point I
would like for your to go back to the drawings you made in Lesson 3 “Creating your baseline”
and redraw them again. I am confident that if you have dedicated time and passion in this
course you will see an improvement that you didn’t even expect. This is the first installment
of three books which I have planned about painting. In the next we get away from the theory
and will begin to go further into edges, paint application, glazing, and other technical aspects
concerning paint. Please stay tuned at painting-course.com to see all the newest and latest
assignments and updates on the new “semester” coming. As I said previously what you have
just finished represents about 1 year of foundation level in college in painting. I intend to
continue on making this opencourse work free online as I believe there are too many books
which teach only technique, and no theory. So now that you’ve got a good grasp on theory it’s
time to start having fun, and getting messy with paint!
Final Assignment: Coming Full Circle
Redo your previous Baseline drawings and compare and look at areas you need to improve,
and other areas which you feel to sharpen up your skills. But don’t be too hard on yourself! Look
at all the progress you’ve made and realize that the more you practice at this point, the better
you will be. You’ve started the journey! Great work!
We’ve come a long way in this course so far. We’ve gone from drawing our hands and learning about basic forms to learning about color theory and finally making our first painting of the four major forms with black and white acrylic paint. . When I say “Learning to paint” this isn’t something that can just be learned with one quick lesson. There aren’t really any tricks or shortcuts. If you want to learn to paint you must dedicate yourself to it, and treat it as a discipline. You will improve with each painting you make. What I’ve outlined in the previous lessons is a foundation which will translate towards painterly thinking.
Upon completing the previous lessons you should now posses a skill set. Think of it as a certain set of skills which you are trying to master. There are analogies that could be made to a variety of other activities which need discipline in order to excel at. I compare painting to music a lot: but in this case I believe the philosophy you should develop towards learning to paint should be closer akin to a student of martial arts. It’s a body and mind duality. Both your dexterity needs to be improved in order to manipulate the brush in a deft manner, but also your mind needs to learn how to stay out of the way and stop naming the things you are drawing or painting. If you really want to learn to paint you can’t just read about it, you need to do it, make mistakes, and then do it over, and over, and over again.
Perhaps you understood how to mix color harmonies very quickly, but are still worried about your drawing skills. These are important factors to consider and if you are truly dedicated to learning to paint then you should begin to address the skills at which you feel the weakest. Below in the Report Card you’ll see a list of skills I’ve tried to teach so far. After each skill I want you to grade yourself on how you are performing at this point. Be honest, no one else will see them. Your weak areas simply need more attention. The problems can be addressed by redoing lessons you don’t feel confident in.
If you want you can print it out and hang it up on your wall to remind yourself what things you want to improve. You should always remember that you are learning a new skill for yourself, and that nothing should stop you from persuing your dreams. If Learning to Paint is a life long dream then it can’t hurt to jump in and try! Personally I feel it is best to show your friends and the world your work immediately (I even have a lesson dedicated to creating a personal blog of your art work), but if this isn’t your style, then so be it. Don’t show anyone your paintings until you are ready to do so, just don’t discount your abilities.
I know this is beginning to sound like some sort of motivational speech. But I include self evaluation as an actual Lesson because it is important to be able to self evaluate if you want to continue to learn how to paint better throughout the years. Learning to paint isn’t about one lesson showing you how to “shade” , it’s the culmination of many lessons and years of work. The next lesson in this course will involve your first real painting where you’ll have your first opportunity to bring everything that we’ve worked on so far into one painting. This is the reason why I want you to take inventory of your current skills before we proceed. We’re still working on basic ideas and techniques but as we begin to combine them things start to get more complicated pretty fast.
Now that we have got a good grasp of line, and the importance of varying our lines in our drawing we are going to continue on to another huge element of drawing/painting. That important element is form. Correctly understanding form will give your paintings/drawings more depth. Traditionally schools have taught students to look for four key forms. These are The Cube, The Cylinder, The Sphere, and variations and combinations of these forms.
Using combinations of these three basic forms can enable to draw virtually anything on the planet. It is no mistake that all of the 3D animation software available on the market utilizes these three forms. So why is this important for drawing and painting? So far we’ve been examining what we can see with our own eyes and trying to duplicate it, however, we must remember that we are trying to render the 3 dimensional world onto a 2 dimensional surface. These common forms are like letters which create words. To put it simply our brains know how to read these forms when we see them.
I want you to start seeing everything as if it were transparent in an attempt to better understand the underlying form which holds it all together. For hundreds of years people in figure drawing classes will often stand up and look at both sides of the model which they are drawing. They do this because they want to see how the whole form works together. The angle from which you look at a subject is important, and as an artist you want to gather as much information as possible about the subject you are drawing. That means thinking about what you can’t see, as well as can see. Keep your edges soft and rounded. We don’t want anyone to get hurt if your creature runs into them.
Drawing #15 Industrial Drawing of an animal
For this drawing I want you to find a picture of an animal, and draw it only using these basic forms. Think of yourself as if you are making a schematic drawing. You want to make a detailed blueprint of this animal because you are going to put it into a rocketship and blast it off to a foreign planet. Where no one knows what a French Bulldog (or the animal of your choice) looks like. 😉
This lesson is especially great for those interested in pursuing a career in 3d animation. Most people don’t realize, but all those characters in all of those big budget animation films start off with a sketch. That’s right. Good old fashioned pen and paper.
You may take up to 2 hours to complete this drawing. Make it as detailed as possible.
Drawing #8 Find an image of anyone. Could be a famous person, could be a relative. Doesn’t matter who. But try to find an image that is at least is decently lit. You are going to stare at this image for three minutes. Trying to take in every little detail you can. Then, after three minutes is up I want you to put the photo away and draw the person from memory. You have 20 minutes. You may begin.
STOP! You must complete drawing #8 before you go any further.
We are surrounded by symbols in this day and age. We may even react to them without knowing. A red octagonal sign means “Stop!” all over the world. Other basic symbols tell us where the elevator is or where to run in case of fire. The most common type of symbol we see in every day life is something called a pictogram. In the pictogram below it is very easy to understand that this is a washroom for both women, men, and handicapped accessible.
While these types of symbols can be great for communicating basic messages they cause big problems for drawings. Here’s one of the most important things to remember in this entire course. If you want to learn how to draw you have to stop thinking about what it “is” that you are drawing, and instead think of what you are drawing as a giant puzzle of shapes, shadows, and lines. So, if you’re drawing an elephant, don’t think of the trunk as a trunk, but instead the elephant trunk is just an abstract mass of shadow and line. This is what it means to start “seeing” like an artist.
Let’s look at an example of a student’s work who also did the “Drawing from Memory” assignment. In the first image we see the original image the student was working from.
In the memory drawing we get a good feeling for how the student makes certain features of the face. It is important to identify these symbols for “eyes” and “nose” so we can catch them when they sneak into places that we don’t want. Everyone has a certain sets of symbols they use to construct drawings (especially portraits). Later on we can use these symbols to our benefit, so we don’t want to throw out the baby with the bath water. But for now we need to identify what our habits are, and what symbols we use. This way we can stop using symbols for “eyes” and “noses” and start to really look at the shadow shapes present which give the illusion of an eye or a nose.
Drawing #9 “Drawing A Portrait from a Photo” (Sideways)
For this drawing you are going to be drawing from the image that you memorized for your first drawing. But as always, there’s a twist. We really want to stop your brain from naming everything it’s drawing so you will be drawing the portrait on it’s side. No, you don’t have to stand on your head, instead just turn the image on its side (see example below). For the shading you will be making simple left to right marks. Imagine that you are drawing the way a printer prints. Your pencil makes a simple left to write mark every time it sees an area of shadow. And yes, you may look at the source image.
You can touch up a few small lines indicating direction in the end but try to keep most of the lines moving in the same direction. You have up to an hour for this drawing so take your time. Once finished compare the drawings side by side and it will be obvious what symbols you generally use. Now that they’ve been identified they can be quarantined and perhaps we’ll use them later, but generally, they are just left-overs from what someone told you when you were 14 years old. Forget about them and push forward, you still have to learn all about form, line, value, shape, space, texture, and color. Your old symbols probably won’t be of much help. In fact they are generally the biggest stumbling block for older students to overcome. Learn to draw seeing shadow and light shapes.
Lines don’t exist in reality. Everywhere you look you can see various forms bouncing into other forms, but no lines. This is the first thing to understand about a line. It is completely a creation of the human mind. We understand lines and pictures because we know how to read them. When a line is drawn on a piece of paper it’s intention is to depict the three dimensional world on a two dimensional surface. You are the magician deciphering what you see in reality and transforming it onto a two dimensional surface.
In the following drawing assignments you are going to be exploring contour lines. That means no shading. You are going to be focusing only on the edges of forms and shadows. It is on these edges where your line will wander.
Assignment #2 Contour Line Drawings
Drawing #4 Blind Contour Drawing of your Hand
Sit at a table where your arm is lying comfortably on the surface. Turn to a clean page in your sketchbook. Now I want you to pose your hand. Try to be a bit creative and scrunch up your fingers and position them at interesting angles. Hold your hand in this position. With your other hand place your pencil on a clean page in your sketchbook. Now I want you to begin drawing it. But here’s the catch. You are not going to be looking at your paper. You are going to keep your focus on your hand, and do the drawing looking only at your hand. That’s the “blind” aspect to this drawing. I want you to imagine that your pencil is touching the outward contours of your palm, winding in and out of all those wrinkles, and sliding down those slopes. As your eye moves: Your pencil moves. Think of yourself as Luke Skywalker when he’s on the Millennium Falcon for the first time. And he’s got to use his light saber to fend off lazer shots with his blast shield down. Use the Force! The urge to glance down at your paper will be strong. But don’t fall into the dark side. Just keep your focus on your hand. The good thing about this drawing is that you have absolutely no responsibility to try and make it look “right” at all. Just let the lines wander all over the page as your eye traces the outside contours of your hand. As you can see in the example below, if the drawings look “correct” then you’re not doing it right. You have 20 minutes to make 5 blind contours of your hand. Go!
Drawing #5 – “50% Blind 50% Looking”
In this drawing I want you to continue to draw while looking at your hand. But you can cheat. With that being said don’t allow yourself to fall completely back into how you would normally draw. Do an outside contour of a finger blind, then regain your positioning, and start again. So half of the time you should be looking at your page and the other half you should be drawing while looking at your hand (blind contour). You have to really slow down in order for this to work. One hand should take you at least 10 minutes. You have thirty minutes to make at least two hands.
Drawing #6 “Finished Contour Line Drawing”
For this drawing you will be positioning your hand once again and drawing it however you wish. Try and remember everything you’ve learned from the last few drawings and now incorporate those ideas into making the best completed drawing of a hand you can do. Don’t worry about shading. It’s still about the contour lines. You can outline areas of shadow if you wish, but please refrain from shading them in. We’ll get to that later. You have 20 minutes.
Drawing #7 “Mucha Copy”
For this drawing you will be copying a master artists work (Alphonse Mucha). I choose Mucha because it’s hard to find anyone with a more elegant and crisp line. Get as much done as you can in an hour. Look at how Mucha varies the thickness of his lines in different areas. This Mucha drawing is extremely difficult, however one must remember that as a student you are training and practicing. You are not obligated to make gorgeous drawings yet. Do your best. You have 1 hour.
This is an optional fist assignment just because I don’t want someone’s access to the Internet to effect their ability to use this book . Those who can’t make a blog will instead keep a sketchbook that also includes writing, and inspiration.
Now for those of you who have regular access to the Internet, and own a digital camera or scanner, you will be creating a blog. Relax, it’s not as hard as you think. I’m a big proponent of blogging your work because I think it is an excellent way of making a time line of your inspirations as well as your progress. Many of you may be terrified by the idea of creating and maintaining a blog because you don’t think of yourself as tech savvy. Trust me, if you can check email, you can create and maintain a blog. Instead of hitting “send” you will be hitting “publish”. I’ve also included a step by step at the end of this chapter for those who are completely new to the Internet as well.
In this lesson I want you to start researching and becoming familiar with what drawings and paintings you really love. If you don’t know where to start just go to wikipedia.com and type in “20th century art” (or whatever century you’re interested in) . If you already know about a movement of art (say impressionism, or surrealism) that you are interested in then search for pages about that. If you are lucky enough to live in a city with a big beautiful museum then by all means go! Most public libraries also have a gorgeous selection of art books. I’ve also included a list of interesting artists from all over the artistic spectrum available at painting-course.com/artists . So you have no excuse. Start finding out what art you are drawn to the most.
Now that I’ve given you the “what” to do, I’m going to tell you the “why”. One terrible idea which has seeped into many people’s minds over the years is that it is bad to try and emulate someone elses art. Every semester I have another student who loves a certain type of art or artist but thinks it would be bad to try and emulate that persons style. As if they should just find their own style on their own. Let me tell you something. Just about every single great artist over the centuries looked up to someone else. Historically speaking previously students would apprentice with a master painter, they would try their best to learn all of their teachers techniques and they did countless hours of repetitive drawings and paintings. I’m not saying that your end goal should be to paint just as your idol, i’m saying that if you first emulate the paintings which you love the most, then you will naturally create your own style and vision as you become more confident.
Think of it this way. Im sure Wayne Gretzky and Michael Jordan had their respective idols they watched growing up. In classical music we don’t say someone isn’t a musician because they are playing someone elses music. In fact concert pianists are playing note for note what’s right in front of them. It’s their interpretation and technical abilities which makes them unique. You need to start thinking about painting and drawing in the same way.
In previous years one would have a sketchbook of thoughts, images, and sketches of inspiration. Today with the advent of blogs, it is much easier to categorize your interests and inspirations. Remember, this isn’t a course about just “learning how to cross hatch” , this is a course designed with the intention of getting you to create work that you are proud of. Work that says something about you and your interests. So the first step in that is to get interested in some of the art around you now! Also don’t be afraid to really hate something. You can appreciate art, but that doesn’t mean you have to like it.
Ok, you’ve convinced me. So how do I make a blog?
The first thing you’ve got to decide is what you want your blog to be called. This can be more difficult than you think.
If you want your name to come up in google searches I suggest just using your first and last name as your domain name, such as www.jeremiahpalecek.blogspot.com (that was my first blog). If you have a common name and the address is not available then try using a hyphen, or dot between your first and last name. If you have a ridiculously common name you can also try something like XxJohnSmithxX or JohnSmith64.
If you want to create a more visionary name for your blog the first thing you will be doing is creating a mind map. A mind map is a diagram used to represent words, ideas, tasks, or other items linked to and arranged around a central key word or idea. As you can see in the illustration below I’ve started with the central key word “painting blog” and from that I’ve brainstormed a bunch of words and ideas associated with painting. There’s “descriptions of paint” (flake, chip, burnt, canvas, drip, slop, wet, gooey) “Materials” (ink, acrylic, oil, brush, pencil, gesso) “Famous Artists” (Michelangelo, Leonardo, Donatello, Raphael, Van Gogh ) “Art I like” (Dutch Landscapes, Surrealism, Dada, Impressionism) and the final category “cool names” (spark, antiquity, ancient, glisten, robot, dust, space) I did this mindmap in 5 minutes and now I can just start combining the keywords I generated to come up with cool website names such as PencilSpark, DadaDust, RobotSlop, AncientFlake, or GooeyVanGogh. It’s that easy. Once you’ve got a name that hits you and you think “yeah, that’s sounds cool” go with it. You’ve just created a new online identity. You can post anonymously there if you are shy about your work, but trust me, as your blog begins to fill with content you will want to be more closely associated with it. It will be a sneak peak into your artistic inspirations and personal progress. After you’ve got a few finished pieces up you can print out your blog name on business cards and give it to friends. They’ll check back to see your progess. Trust me.
Now that you’ve got a Domain Name* you’ve got to choose where you want your blog to be hosted. The best way to describe what “hosting” means is to compare it to parasites. Sorry. When a parasite infects an animal, the carrier is called the host. The host is the person carrying the parasite, on the internet, the host is the computer which hosts your data. Sometimes people forget that the internet isn’t some sort of ethereal netherworld. Every piece of data you look at when you are looking at a webpage is physically located on a computer somewhere. This generally costs money. However there are a lot of internet companies which will give you all the space that you will ever need for free. Amazing, isn’t it. Google’s Blogger.Com are the biggest however there are literally thousands of different websites giving away free blogs. I suggest looking at wordpress.com , blogger.com, tumblr.com , typepad.com , and livejournal.com.
The drawback of using a free site is that your Domain Name will include their’s as well. So that’s why you see addresses with .blogspot.com or .wordpress.com . It’s because those companies are giving away storage space for free. If you’re a little more tech saavy I suggest you look around at various blogging sites and choose which one you like the most. There are benefits and drawbacks of each. For this course I will be using wordpress as the default since it is the most widespread, sophisticated, and free blogging application available. It was also created by a large community of nerds for no profit. Which is pretty cool so they’re always the good guys to support.
*Domain Name refers to the name of the address you type into a web browser (such as Internet Explorer or Mozilla Firefox). For instance Google’s Domain Name is Google.com , My personal Blog Domain Name is Jersus.com
For those completely new to the internet I’ve created the following tutorial.
Once you get to any of these sites there will be extremely simple instructions to get you going. At Blogger.Com there is a big orange button that says “Create a Blog” , On wordpress.com there is a similar orange button which says “sign up now”. They are all pretty similar and most all of the blogging sites you go to will be screaming for your attention with a giant “CLICK ME!” button.
I am a big fan of wordpress personally so I’ll take you through the following step by step on how to get a blog up and running on wordpress within minutes.
First go to wordpress.com . You there? ok. Cool. See that big orange button that says “sign up now”. Click that.
Now you get to this page. Fill in your information . Check that you’ve read the terms and conditions. Make sure “gimme a blog! (like username.wordpress.com)” is selected. And know that your username can be different than the website name. So you can just use your first name, or admin as your Username. Click Next.
Here you type in what name you will want for your web address. As you can see it put my Username in there as the default Blog Domain name. But you can change this and write in the name which you brainstormed using the mindmaps. You can also change the Blog Title to anything you want. If you want people to find your blog when they google your real name then put your real name in the Blog Title, for instance my Blog Title at Nerdkore.Com is “Original Oil Paintings by Jeremiah Palecek.”. If you wish you can put something more creative such as. RobotSlop’s Painting Paradise. Whatever you want. Just have the Blog Title say something about you! Then choose the language you will be blogging in. Choose whether or not you want your blog to appear in search engines (google, yahoo, msn, etc.). Then click Signup. and BOOM! It’s yours!
Type in your Username and your Password, Click Log In, and the Control Panel page will open up.
This is where you can control all of the information which will be posted to your blog. It may look complicated but you’ll only need to know a few places I’ll highlight which will get you up and blogging in seconds. Do you see where it says “New Post” on the top left corner. Click it.
That takes you to the page where you will compose your “post”. Think of a post as an entry in a journal. Type in a name for your first post.
Then I want you to go where it says “upload/insert” (detail below)
And click on the rectangular icon. (You’ll notice if you hover your cursor over it, it will say “upload image”.) This window will pop up.
Click on Select Files. And you’ll get a window popping up. Navigate to the folder which holds your images. This is the same as attaching an image or file to an email. Pick the file you wish to upload. And click “Open”.
The file will upload to wordpress’ server and you’ll see this window.
You can customize the alignment, and sizing if you wish. Now click “Insert Into Post” (bottom left). As you can see the image has been uploaded underneath your Title. You can click inside the rectangle and type some text under the image now. Then hit “Publish” which is located in the right sidebar.
And that’s it. You’ve just published your first post with an image to the internet for all to see. Click on “View post” and you can see how the page is presented online. If you wish to change the look of your page you can click on “Appearance” (left sidebar)and further customize the look.
There you go. You’re a blogger now. So start archiving images of what inspires you, and let’s get down to the real business of learning how to draw, and then of course learning how to paint! This website is going to serve as your diary of progress.
For a list of previous students’ blogs please go to painting-course.com/blogs . To have your blog added to the list please email me and I’ll be happy to add it.
“`Curiouser and curiouser!’ cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); `now I’m opening out like the largest telescope that ever was! Good-bye, feet!’ (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). “
Lewis Carrol, Alice in Wonderland
Learning to draw is a bizarre and wonderful process in the sense that in order to really learn to draw you have to first learn how to see differently. It means changing the way you look at the world. All the time. In this course you will not only be sharpening your drawing skills on paper, but you will also be practicing your seeing skills. You are on the pathway to becoming a painter, and the first step on that path is to become confident at drawing. Through these lessons you will learn to draw step by step by starting with the basics and moving towards more complicated techniques.
This course is meant to be used and that means you need to draw and paint in order to make it work. The lessons are planned to build upon one another. You are going to go from basic contour line drawings to finished oil paintings. Everyone comes into the course at different levels. Get comfortable with where you are, know your limitations, and start working at getting better. Drawing is akin to yoga in this sense. If you push yourself too hard and too fast, you are doing it wrong.
How your brain draws
Certain activities cause changes in the way our brains work. There is an instrument called an EEG which measures different brain waves. In the photo below you can see a participant in a study which measures brainwave activity.
Our brains produce four major brainwaves. Beta waves are present when we are in a normal awake and conscious state. Theta waves appear when we are in deep relaxation or problem solving. Delta waves are present when we are basically asleep but not yet dreaming, and Alpha Waves are present when we are in a relaxed state yet still retain our sharpness and creative vision. Alpha Waves are where its at. You will not only improve your hand to eye coordination, but you will also learn how to get your brain to reach the Alpha wave state. Your brain learns these things step by step, much the same as one learns drawing or music.
A great example of an activity which requires a mastery of Alpha wave functioning is archery. When an archer pulls back his bow, closes one eye, and focuses on his target he may stop hearing the sounds and words around him. His fingers hold the string firmly. His breathing becomes more controlled and even. He calms his mind and this makes his aiming arm steady. He begins to visualize the arrow sailing straight into the big red spot. The bullseye wavers less and less as his finger tips begin to release the string. The string recoils and snaps forward. Splat. The arrow sticks into the target, and the archer begins to inspect his work.
This story encompasses all three of the major brain states. As the archer walks up to the line with his bow in his hand he is in Beta state. He is alert, conscious, and aware of his surroundings. As he pulls the string to his cheek he begins to slip into Alpha waves. He begins to relax and block out the sounds around him, yet he is still alert. Here’s the crazy part, the moment before he releases that string his brain waves dip dramatically, almost all the way down into a near sleeping state! It’s only for a split second, and then the arrow goes flying, and sticks into the target. He inspects the target to see if he hit the bullseye (Theta waves) then he snaps back to reality, and back to a Beta wave state.
When we draw we are going to be entering the Alpha and Theta lands. It’s a place that anyone who has a skill of any sort knows well. The basketball player throwing a three pointer with 2 seconds left, the concert pianist, the marksman, even the gardener or mechanic. All of these people have worked on a project so hard that they’ve completely lost track of time. I’m sure you have as well.
Think about a time recently when you’ve slipped into Alpha and Theta brain waves. Perhaps it was while fixing your vacuum cleaner, avoiding a deer in the road, or arranging a flower bouquet. Become familiar with what it feels like when you are in this state.
Learning To Play The Tuba
Everything you see through your eyes, all of the feelings, joy, sadness, whatever, your whole world comes from your consciousness. When drawing, you are simply trying to make this consciousness readable. It doesn’t need to be anything deep. It could involve something as simple as the way a guitar leans up against a windowsill. You are transmitting YOUR view of the world to others. Sure there are technical aspects, and training that will be involved in order for you to be able to measure accurately the distance between shapes. These fundamental aspects of drawing are teachable, and with practice, you will learn them. The question then, is going to be, Who Are You? Why do you want to make a mark on the world? What do you choose to draw?
This is the big thing that separates this book from others. I am aware that you want to “learn how to oil paint” and “learn how to crosshatch”. All I need to do is look at what people type into Google before finding my site. But these are just skills, they don’t really get to what making art really means. Of course we will go over all the skills you will need in order to become a sucessful artist. I will teach you some tricks, and new materials. But at the end of the day you also need to know WHAT it is you want to paint or draw. Through the following exercises in this book you are going to be exploring both your artistic vision as well as practicing exercises which will sharpen your eye and steady your arm.
Many people who are interested in art feel intimidated because the lines have been blurred as to what is good art and what is crap. During the 20th century what it meant to be a “painter” or “artist” changed drastically. Previously draftsmanship and craft were highly valued. However this is no longer the case. Many times concept has taken precedence over craft. This basically means that today we give as much importance to ideas as we do to aesthetic appeal. You, on the other hand, have already decided to pursue the path of becoming an artist working in a very traditional medium. Paint. The goal of this introductory course is not only to make you technically proficient (that just takes practice), but also to help you find what you want to communicate through imagery. That being said, there is nothing worse than knowing what you want to do, but not possessing the technical abilities to bring the idea to fruition. If you know exactly HOW you want to draw and paint, and WHAT you want to draw, then consider the following analogy.
Think of an instrument you have no idea how to play, for instance, a guitar. Now it is generally accepted that if you want to become great at playing the guitar, you have to practice hard. No one expects someone to sit down and start playing the guitar immediately. A person generally needs a teacher, or at least a book and a whole lot of passion. But what it comes down to is that people are playing (practicing) daily. When they’re not playing they may be listening to music and tapping out scales with their fingers.
In most drawing and painting or “art” (as it is so often referred to in the school systems) classes, many times teachers leave too much open to the students. They put too much emphasis on what the student is trying to express rather than addressing the fact that they may not even know how to get paint to stick to a canvas. The results are terrible paintings and drawings. No amount of pretense can make up for a poorly executed painting.
Let’s return back to our guitar player analogy. Imagine you are listening to someone playing the guitar and singing. The voice is off key, the strumming is out of sync with the tempo, the chords are clumsily played, but the lyrics are fantastic. Are you going to say “He’s a great musician!” just because the lyrics were great? Of course not. With music we put a great deal of importance on craft. A good guitar player’s fingers had to get calloused in order to push down the guitar strings. At first the stings clunk out, but then, with a little practice, it begins to get easier and easier. The same is true of drawing. It’s just practice. If someone tells me that they are a terrible drawer, I tell them that I can’t play the tuba, but I bet I could learn.
For some of you reading this book. You may already be comfortable with drawing, but find yourself coming up against certain stumbling blocks over and over again. You are going to learn to identify the problem areas of your drawings and become your own teacher. Even concert pianists practice scales. Drawing and Painting are no different.
Welcome to Painting-Course.Com. Here you will find lessons, exercises, and assignments to improve your painting and drawing abilities. Painting-Course.Com is 100% free Open Coursework online. You start when you want, and complete assignments, drawing, paintings at your own pace. Please take a tour through the different lessons and see what interests you. If you are ready to start learning how to paint and draw then click “Get Started Now!” in the upper left hand corner of the page. Get your sketchbook ready and let’s jump in!
The entire group of lessons are meant to be done in order and follow the same format of a year long course (or two semesters of work). If you’re willing to put in the time and energy that is required I would say that this course is the equivalent of a good foundation year at any respectable university. I studied at The Lyme Academy of Fine Arts, The Glasgow School of Art, and finished at the School of the Art Institute of Chicago. I currently teach Drawing for Design, Visual Culture, and Fine Art Reflective Case Study in Prague, Czech Republic.
Painting on masonite is a cheap and easy solution for many who can’t afford to buy expensive canvases. One of the best words of advice I ever got in Art School was to always have multiple surfaces ready for paint. This way you don’t have to go through the boring stage of preparing the masonite with gesso first. In this video I go through the best way to prime masonite with gesso. By using a simple criss crossing technique you can create a surface which will accept paint easily. Gesso is recommended, but it is also no problem to just just titanium white. House paint doesn’t work well because it is kind of chalky and will absorb the acrylic paint.
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